May 7, 2012

Publisher’s proofs of my first real academic article w/my final corrections/revisions. Now, I did write this 2 years ago and while I stand with the broad lines, I think I would say things a bit more maturely now (or at least I hope so) but time and the bell have buried the day (dear God someone please get the allusion…SO MANY people quote him and have read so very little of him) and it is as it is and I am not unhappy with it. Please ask for permission before reblogging as this actually represents professional work for me. If you have a good reason I am liable to give permission. As a rule I don’t care if people reblog photos with out asking but this is kind of different to me. Anyhow, only like 3 people will find it interesting anyhow, not 3 people on tumblr, but more like 3 people world wide. 

February 18, 2012
So, for those wondering just how I have been making a living the past few weeks, here ‘tis: Piers Plowman. I have been checking the transcriptions of every manuscript of the A-Text of Langland’s much loved alliterative poem. So basically I have read the prologue and Passus 1 and 2 20ish times. I know this makes me a super nerd, but it’s quite neat to see the same lines in various dialects and iterations. It really makes you appreciate the textual variety and realize how far George Kane’s edition is from the poem’s original state. Not that Kane is wicked or anything, really just a by product of textual editing in general, but the manuscripts certainly embody a more robust and dynamic image of Piers. 
This is, by the way, the opening of Trinity MS of Piers.

So, for those wondering just how I have been making a living the past few weeks, here ‘tis: Piers Plowman. I have been checking the transcriptions of every manuscript of the A-Text of Langland’s much loved alliterative poem. So basically I have read the prologue and Passus 1 and 2 20ish times. I know this makes me a super nerd, but it’s quite neat to see the same lines in various dialects and iterations. It really makes you appreciate the textual variety and realize how far George Kane’s edition is from the poem’s original state. Not that Kane is wicked or anything, really just a by product of textual editing in general, but the manuscripts certainly embody a more robust and dynamic image of Piers. 

This is, by the way, the opening of Trinity MS of Piers.

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